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W. Ray Crozier [8]W. Raymond Crozier [1]
  1.  34
    Differentiating Shame from Embarrassment.W. Ray Crozier - 2014 - Emotion Review 6 (3):269-276.
    Questions about the relation between shame and embarrassment are often posed in discussion of emotion but have rarely been examined at length. In this study I assemble and examine distinctions that have been proposed in the literature with the aim of identifying the criteria that have been used to differentiate shame and embarrassment. Relevant empirical studies are also reviewed. Despite the attention paid to the question of the difference between shame and embarrassment consensus on differentiating criteria has not been reached (...)
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  2.  45
    Self-consciousness, exposure, and the blush.W. Ray Crozier - 2004 - Journal for the Theory of Social Behaviour 34 (1):1–17.
    Little is known about the circumstances that give rise to blushing and there have been no systematic attempts to classify and analyze the types of situations where it occurs. The study reported here analyzes a sample of recollections of occasions and a selection of literary episodes. The two sources of evidence yield somewhat different patterns but prominent themes in both are being the centre of attention, whether this is positive, neutral or negative, and the disclosure, or threat of exposure, of (...)
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  3.  23
    Blushing and the exposed self: Darwin revisited.W. Ray Crozier - 2001 - Journal for the Theory of Social Behaviour 31 (1):61–72.
  4.  7
    Donkeys and Dragons: Recollections of schoolteachers' nicknames.W. Ray Crozier - 2002 - Educational Studies 28 (2):133-142.
    Pupils' nicknames for teachers are typically clandestine and serve a reference function rather than acting as terms of address. Despite being a ubiquitous feature of school life, they have attracted little research. This questionnaire study explores characteristics of the use of nicknames as recalled by a sample of 103 university students. Most nicknames expressed contempt or dislike, or attempted to get back or get even, or to put one over on the teacher. The majority of names drew upon physical characteristics (...)
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  5.  2
    Skin Complexion and the Blush.W. Raymond Crozier - 2023 - Emotion Review 15 (2):118-126.
    The implications of variation in skin pigmentation for the blush have attracted discussion for centuries. Two long-standing positions are identified. First, the blush has been identified with shame, giving rise to claims that because people with dark skin do not blush they do not have the capacity to experience shame. Second, the meaning of a visible blush can be ambiguous. A review of more recent theorizing and empirical research suggests that people blush whatever their level of pigmentation; the blush tends (...)
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  6.  10
    The Blush: Literary and Psychological Perspectives.W. Ray Crozier - 2016 - Journal for the Theory of Social Behaviour 46 (4):502-516.
    Literary analysis of the blush in Austen's novels identifies three themes, namely the potential ambiguity of a blush, its association with modesty, and its erotic and gendered nature, issues that scarcely figure in current psychological explanations of the phenomenon. I examine these themes and compare them with current psychological accounts which assign a central place to embarrassment and, more specifically, emphasise either unwanted social attention, exposure of the self, or the blush's signalling function. Analysis of Austen's work suggests that greater (...)
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  7.  32
    The empathy principle: Towards a model for the psychology of art.W. Ray Crozier & Paul Greenhalgh - 1992 - Journal for the Theory of Social Behaviour 22 (1):63–79.
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  8.  18
    The Psychology of Embarrassment.W. Ray Crozier - 1998 - Cognition and Emotion 12 (5):715-721.